<?xml version="1.0" encoding="UTF-8"?>
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  <title>DSpace Collection:</title>
  <link rel="alternate" href="http://hdl.handle.net/2328/25144" />
  <subtitle />
  <id>http://hdl.handle.net/2328/25144</id>
  <updated>2013-05-22T08:28:26Z</updated>
  <dc:date>2013-05-22T08:28:26Z</dc:date>
  <entry>
    <title>Self-Portraits by Nineteenth-Century Greek Painters</title>
    <link rel="alternate" href="http://hdl.handle.net/2328/25210" />
    <author>
      <name>Markatou, Dora</name>
    </author>
    <id>http://hdl.handle.net/2328/25210</id>
    <updated>2013-05-13T02:02:18Z</updated>
    <published>2011-01-01T00:00:00Z</published>
    <summary type="text">Title: Self-Portraits by Nineteenth-Century Greek Painters
Authors: Markatou, Dora
Abstract: The subject of this paper is the self-portrait, and, in particular, the ways in which&#xD;
Greek painters of the 19th century supported and expanded the genre. A series of&#xD;
self-portraits of painters who lived beyond the borders of the newly established Greek&#xD;
state are analysed in this paper. From an iconographic aspect, their works follow the&#xD;
constitutional visual conventions and they are created within the frame of a specific&#xD;
artistic trend, reflecting theoretical discussions and conflicts of their times.&#xD;
By the end of the 19th century the self-portrait had, for several reasons, lost their&#xD;
distinctive elements and was usually not conceived as different from the portrait. From&#xD;
the 1860’s, many Greek painters created portraits of themselves in order to express&#xD;
their personal success, and also, to present the case for the improvement of the social&#xD;
position of the Greek artists, in general. A leading example of such a focus of intention&#xD;
can be seen in the self-portraits of Nikeforos Lytras.</summary>
    <dc:date>2011-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Parmenides, Hegel and Special Relativity</title>
    <link rel="alternate" href="http://hdl.handle.net/2328/25209" />
    <author>
      <name>Mann, Scott</name>
    </author>
    <id>http://hdl.handle.net/2328/25209</id>
    <updated>2013-05-13T02:02:27Z</updated>
    <published>2011-01-01T00:00:00Z</published>
    <summary type="text">Title: Parmenides, Hegel and Special Relativity
Authors: Mann, Scott
Abstract: This paper explores two different responses to the metaphysics of Parmenides. It highlights&#xD;
the importance of Parmenides in the development of the Hegelian Dialectic. And&#xD;
it examines some of the parallels between Parmenides ideas and certain interpretations&#xD;
of special relativity theory.</summary>
    <dc:date>2011-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Medicine in Ancient Cyprus</title>
    <link rel="alternate" href="http://hdl.handle.net/2328/25208" />
    <author>
      <name>Michaelides, Demetrios</name>
    </author>
    <id>http://hdl.handle.net/2328/25208</id>
    <updated>2013-05-13T02:02:21Z</updated>
    <published>2011-01-01T00:00:00Z</published>
    <summary type="text">Title: Medicine in Ancient Cyprus
Authors: Michaelides, Demetrios
Abstract: In ancient times, Cyprus played an important role in the science of Medicine. This was&#xD;
largely due to its rich mineral deposits and its varied vegetation, both of which were&#xD;
primary sources for the preparation of medicaments. These attracted a number of wellknown&#xD;
physicians who studied and, in the case of Galen in the second century AD,&#xD;
visited the island. The paper will present the results of a recently concluded, two-year&#xD;
research project that assembled all available information on the eponymous doctors of&#xD;
ancient Cyprus and the medicaments associated with the island. It also deals with all&#xD;
other evidence related to medicine and cure, such as ancient surgical instruments, the&#xD;
occurrence of healing deities, the use of ex-votos, the use of sympathetic/prophylactic&#xD;
magic, and other.</summary>
    <dc:date>2011-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>The Dying and Deathless Musician in Modern Greek Culture: Nikos Xylouris and Manos Loizos</title>
    <link rel="alternate" href="http://hdl.handle.net/2328/25207" />
    <author>
      <name>Michael, Despina</name>
    </author>
    <id>http://hdl.handle.net/2328/25207</id>
    <updated>2013-05-13T02:02:21Z</updated>
    <published>2011-01-01T00:00:00Z</published>
    <summary type="text">Title: The Dying and Deathless Musician in Modern Greek Culture: Nikos Xylouris and Manos Loizos
Authors: Michael, Despina
Abstract: The aim of this paper is to explore the way that the image of popular musicians in&#xD;
Greece is informed, modified and transformed by death. The image of the dying musician&#xD;
has become established in Greek tradition and is a common motif in both oral&#xD;
and literary sources where the death of the musician is invariably presented as both a&#xD;
personal and national loss. Indeed, it can be argued, that it is at the point of death that&#xD;
the musician truly “belongs” to “the people”. In the case of Nikos Xylouris and Manos&#xD;
Loizos, both musicians were loved and esteemed by friends, colleagues and the general&#xD;
populace alike. Their respective deaths were documented in great detail. Despite the&#xD;
abundance of information, however, the posthumous images which evolved drew on&#xD;
generic, mythic images of the dying and deathless musician already in existence in the&#xD;
culture. My focus is on exploring this process.</summary>
    <dc:date>2011-01-01T00:00:00Z</dc:date>
  </entry>
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