<?xml version="1.0" encoding="UTF-8"?>
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  <title>DSpace Collection:</title>
  <link rel="alternate" href="http://hdl.handle.net/2328/3214" />
  <subtitle />
  <id>http://hdl.handle.net/2328/3214</id>
  <updated>2013-05-19T12:33:50Z</updated>
  <dc:date>2013-05-19T12:33:50Z</dc:date>
  <entry>
    <title>[BOOK REVIEW] Crafting Memory Review of Jane Urquhart, The Stone Carvers</title>
    <link rel="alternate" href="http://hdl.handle.net/2328/3231" />
    <author>
      <name>Habel, Chad Sean</name>
    </author>
    <id>http://hdl.handle.net/2328/3231</id>
    <updated>2013-05-13T01:28:50Z</updated>
    <published>2008-04-01T00:00:00Z</published>
    <summary type="text">Title: [BOOK REVIEW] Crafting Memory Review of Jane Urquhart, The Stone Carvers
Authors: Habel, Chad Sean
Abstract: If history is more or less bunk, then memory is more or less craft. In The Stone&#xD;
Carvers Jane Urquhart depicts characters who are traumatically hauled into the&#xD;
modern age, and suffer for it. This painful journey begins with the foundation of a&#xD;
pioneer village in South-western Ontario and ends with a redemptive kind of healing&#xD;
on former French battlefields after WWI. Across all this time and space, memory and&#xD;
the power of art and craft are crucial in maintaining social fabric as well as the&#xD;
individual psyche.</summary>
    <dc:date>2008-04-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>[BOOK REVIEW] Regenerative Spirit Vols 1 &amp; 2</title>
    <link rel="alternate" href="http://hdl.handle.net/2328/3230" />
    <author>
      <name>Riemenschneider, Dieter</name>
    </author>
    <id>http://hdl.handle.net/2328/3230</id>
    <updated>2013-05-13T01:29:21Z</updated>
    <published>2008-04-01T00:00:00Z</published>
    <summary type="text">Title: [BOOK REVIEW] Regenerative Spirit Vols 1 &amp; 2
Authors: Riemenschneider, Dieter
Abstract: Anna Rutherford once wrote, reading the literature of the Commonwealth, the “regenerative spirit is stressed, a link is established between the old world and the new.&#xD;
It is precisely the attention paid to the&#xD;
regenerative spirit that characterises the essays assembled in these two volumes, papers read&#xD;
at several conferences organised by the Centre for Research in the New Literatures in English&#xD;
(CRNLE) and the School of Humanities at Flinders University in Adelaide. Dedicated to&#xD;
Rutherford’s memory and to honour her as an outstanding pioneer in Commonwealth&#xD;
Literature / New Literatures in English / Post-colonial studies, the two collections address themes of exile and migration, dislocation, diasporan and cross-cultural writing.</summary>
    <dc:date>2008-04-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Paradisiacal Imagination: Rabindranath Tagore’s Visvovod or Vision of Non-National Neo-Universalism.</title>
    <link rel="alternate" href="http://hdl.handle.net/2328/3229" />
    <author>
      <name>Quayum, Mohammad A</name>
    </author>
    <id>http://hdl.handle.net/2328/3229</id>
    <updated>2013-05-13T01:29:03Z</updated>
    <published>2005-02-01T00:00:00Z</published>
    <summary type="text">Title: Paradisiacal Imagination: Rabindranath Tagore’s Visvovod or Vision of Non-National Neo-Universalism.
Authors: Quayum, Mohammad A
Abstract: Why is the poet who was considered a literary titan in his time, a&#xD;
supreme symbol of India’s culture and spirit, now so widely neglected? Is it because of some change of taste in poetry? As Tagore has aptly said, ‘poetry is… a matter of taste’ Or is it because Tagore was too provincial a poet to retain a universal appeal after his death?&#xD;
Perhaps the reasons are not so much poetical but ideological and philosophical,for Tagore was a poet-philosopher and the world simply chose not to tread the path that he sought to pave.</summary>
    <dc:date>2005-02-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Rajni Walia, Women and Self: Fictions of Jean Rhys, Barbara Pym, Anita Brookner.</title>
    <link rel="alternate" href="http://hdl.handle.net/2328/3228" />
    <author>
      <name>Thomas, Sue</name>
    </author>
    <id>http://hdl.handle.net/2328/3228</id>
    <updated>2013-05-13T01:29:00Z</updated>
    <published>2005-03-01T00:00:00Z</published>
    <summary type="text">Title: Rajni Walia, Women and Self: Fictions of Jean Rhys, Barbara Pym, Anita Brookner.
Authors: Thomas, Sue
Abstract: This review calls into question Walia’s views, calling them ‘dated’ and questioning their validity in light of modern scholarship and her ‘under-acknowledged dependency’ on other scholars’ works.</summary>
    <dc:date>2005-03-01T00:00:00Z</dc:date>
  </entry>
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