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    <title>DSpace Community:</title>
    <link>http://hdl.handle.net/2328/18</link>
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        <rdf:li rdf:resource="http://hdl.handle.net/2328/26062" />
        <rdf:li rdf:resource="http://hdl.handle.net/2328/26032" />
        <rdf:li rdf:resource="http://hdl.handle.net/2328/1569" />
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    <dc:date>2013-05-23T12:18:30Z</dc:date>
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  <item rdf:about="http://hdl.handle.net/2328/26062">
    <title>Understanding popular media production and potential tourist consumption: a methodological agenda</title>
    <link>http://hdl.handle.net/2328/26062</link>
    <description>Title: Understanding popular media production and potential tourist consumption: a methodological agenda
Authors: Kim, Sangkyun (Sean); Robinson, Mike; Long, Philip
Abstract: Research on the tourism implications of television-induced tourism generally remains limited, with no single agreed approach to its study. In particular, there are methodological difficulties in understanding this phenomenon and a subsequent lack of empirical research into the relationships between films and TV programmes and tourism. Furthermore, there  has been limited attention to the underlying mechanisms and structures in the relationships between the production and consumption of films or TV programmes, audiences and potential tourists, particularly in non-Western contexts.</description>
    <dc:date>2006-01-01T00:00:00Z</dc:date>
  </item>
  <item rdf:about="http://hdl.handle.net/2328/26032">
    <title>A conceptual model for researching the production and potential tourist consumption of popular media texts</title>
    <link>http://hdl.handle.net/2328/26032</link>
    <description>Title: A conceptual model for researching the production and potential tourist consumption of popular media texts
Authors: Kim, Sangkyun (Sean); Long, Philip; Robinson, Mike
Abstract: This paper attempts to develop a conceptual model of the process of production&#xD;
and consumption of popular media texts (PMTs) to investigate the relationships&#xD;
between the production elements of PMTs and the ways in which particular&#xD;
production values may appeal to potential tourists in diverse settings. The&#xD;
proposed model presumes that there may be structurally causal relationships&#xD;
between highlighted major elements of PMTs production and patterns of&#xD;
consumption associated with audience involvement, subsequent audience&#xD;
loyalty, and intention to visit the locations depicted in the programming in the&#xD;
context of film-induced tourism. The conceptualised model of the process of&#xD;
production and consumption of PMTs is hypothesised by reviewing previous&#xD;
literature and empirical studies. This paper draws attention to trans-national and&#xD;
interdisciplinary perspectives which will enable researchers to develop new ideas&#xD;
and perspectives in exploring the complicated inter-communication processes&#xD;
between PMTs from the production side with audiences/tourists as consumers,&#xD;
and understanding the relationships and mediation between production and&#xD;
consumption of PMTs and associated tourism.</description>
    <dc:date>2007-01-01T00:00:00Z</dc:date>
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  <item rdf:about="http://hdl.handle.net/2328/1569">
    <title>Cultural landscapes of a tourism destination: South Australia's Barossa Valley. [abstract].</title>
    <link>http://hdl.handle.net/2328/1569</link>
    <description>Title: Cultural landscapes of a tourism destination: South Australia's Barossa Valley. [abstract].
Authors: Leader-Elliott, Lynette Frances
Abstract: Alternative ways in which the cultural landscape of South Australia’s Barossa Valley is represented are examined briefly to demonstrate the difference in cultural landscape representations in recent tourism marketing print materials of the region, and in a large-scale textile artwork completed by a group of thirty nine Barossa women in 1999. The paper will compare cultural landscape elements included in this piece of community art work with the types of images included in recent tourism promotional material for the Barossa region.</description>
    <dc:date>2005-01-01T00:00:00Z</dc:date>
  </item>
  <item rdf:about="http://hdl.handle.net/2328/1010">
    <title>Community Building in Regional Australia: the Creative Volunteering Training Program.</title>
    <link>http://hdl.handle.net/2328/1010</link>
    <description>Title: Community Building in Regional Australia: the Creative Volunteering Training Program.
Authors: Leader-Elliott, Lynette Frances
Abstract: 1. Flinders University, Adelaide, South Australia, Australia&#xD;
2. Regional Arts Australia, Port Adelaide, South Australia, Australia&#xD;
Many of the community organisations that sustain cultural life in regional Australia are run entirely or mostly by volunteers. They are a vital part of the nation’s cultural capital and they increasingly need skills in planning, marketing, obtaining &#xD;
resources and building networks to survive.&#xD;
A specially designed program to train community-based volunteers in these and other essential skill areas was developed and &#xD;
run successfully through 500 workshops in 125 Australian regions over 2003–2004. Funded by the Australian government and led &#xD;
by NGO Regional Arts Australia, the Creative Volunteering project has succeeded in developing community capacity and active &#xD;
citizenship in the regions where it has operated.&#xD;
Critical success factors included training content and format designed to suit the needs of volunteers in small, often &#xD;
isolated communities; selecting trainers for their ability to work with community organisations and with people from diverse &#xD;
backgrounds; building on the skills and knowledge of all participants; encouraging active involvement and structuring &#xD;
workshops so that participants were encouraged to collaborate with people from other organisations. Administrative systems &#xD;
and training were both designed to allow different modes of operation to suit each state, while ensuring quality was &#xD;
maintained. Strong partnerships between regional arts organisations, registered vocational training organisations and &#xD;
Flinders University were central to success.&#xD;
"Creative Volunteering" has strengthened existing organisations, and encouraged extensive community networking between &#xD;
organisations and individuals. New cultural and other community activities are planned or underway. The program has&#xD;
proved suitable for a wide range of community organisations as well as small businesses.
Description: Lyn Leader-Elliott, tourism, heritage, cultural development, community wellbeing, human capital, social capital, cultural capital, Gauntlett, Hird, Sandeman, lobbying, grant applications, ABS, networks, community leadership, leisure, unpaid, community heritage collections, cultural organisations, arts councils, theatre groups, music groups, festival, events, sponsorship, government grants, door sales, box office, planning, marketing, Regional Australia Summit, policy making, collaboration, Centre for Research and Learning in Regional Australia, community pride, regional distinctiveness, Arts NT, Country Arts SA, Country Arts WA, Queensland Arts Council, Regional Arts NSW, Regional Arts Victoria, Tasmanian Regional Arts, local artists, audience development, Ken Lloyd, Department of Family and Community Services, Department of Communications, Information Technology and the Arts, Flinders University, Rod Kemp, Mount Gambier, training methodology, cultural practitioners, local government, national training accreditation system, decentralised delivery mode, employment opportunities, planning, management, consultation, hands-on work, business planning, marketing, generating income, networking, collections, flexible outcomes, core modules, elective modules, facilitators' guides, workbooks, strategies, action plan, in-class learning materials, resource books, Carry Out Business Planning, Greenwood and Russell, local examples, monitoring and evaluation mechanisms, questionnaire, management issues, satisfaction and facilitation rates, community networking objectives, Plan and Program Events, Network within Communities, Develop Funds and Resources, Undertake Marketing, Work with Collections, benefits, theatre companies, historical societies, women's organisations, welfare organisations, youth organisations, indigenous organisation, organization, interest groups, Northern Territory, non-government agencies, arts, heritage, volunteering sectors, viability, sustainability, Reference Advisory Group, workshop methodolgy, training resources, program evaluation, Australian National Training Authority, Community of Practice, service clubs, Community Cultural Development NSW, Community Arts Network SA, Ausdance Victoria, Volunteering Queensland, Western Australia COuncil of Social Services, Community Arts Network of Western Australia, Registered Training Organisations, collaboration, governance, risk mangagement, grant applications, promote community agendas</description>
    <dc:date>2005-12-01T00:00:00Z</dc:date>
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