http://hdl.handle.net/2328/372 2013-05-25T19:15:27Z http://hdl.handle.net/2328/1494 Title: Italo Calvino: Attentive Observer of Life, Experienced or Imagined. [abstract]. Authors: Baker, Margaret Anne Abstract: The Italian writer Italo Calvino, who died in September 1985, is remembered as a fabulist and essayist. His writing spans a range that reflects the diversity of his cultural interests but shows a basic consistency of narrative purpose, as outlined in his essays and responses to his cultural environment. The intellectual curiosity that marked Calvino’s writing from his beginnings in the immediate postwar period of neorealism led him to many areas, the recent political situation as well as fantasy that at surface level seemed disengaged. Even though remaining a fabulist, his approach to his material gradually became concentrated on that close observation of the surrounding reality that we find in his last writing (Eng. titles: "Mr Palomar" of 1983, and "Under the Jaguar Sun", 1986). By making reference to this typical Calvinian mixture of insistence on the observable reality and on the writer’s, and readers’, freedom to float with the imagination, this paper points to the layers of reflection that the author brings to one of the traditional tropes used in his writing. 2006-01-01T00:00:00Z http://hdl.handle.net/2328/550 Title: Some thoughts on historical narrative in twentieth-century Italian literature Authors: Baker, Margaret Anne Abstract: The presence of historically-based narrative (i.e. prose writing that brings the past into focus) has been noticeable in Italian writing throughout this century and particularly so in the later half of the century. Recent critical interest has drawn attention to the continuing flow of historical novels, but an extensive survey of the use of Italian prose in the twentieth century would need to take account not only of the historical novel (and the great diversity of approach to it) but also of writing not strictly within this genre, writing that has been guided by personal history and not (or not solely) by a cultural interest in more general perspectives. From the end-point of the twentieth century, the ideological positions of earlier decades reveal themselves more clearly as restraints that influenced literary choices and had particular effect on the novelist's interpretation of history, as well on the reception of the viewpoint expressed. 1999-01-01T00:00:00Z http://hdl.handle.net/2328/549 Title: The Women Characters of Carlo Emilio Gadda Authors: Baker, Margaret Anne Abstract: Like his predecessors in Naturalism, Carlo Emilio Gadda (1893-1973) has given us women characters of remarkable vitality. By the time of his first recorded writing, during World War I, the earlier representation of female characters had changed, allowing for the inclusion of qualities verging on the irregular and the bizarre. This characteristic is a feature of many of Gadda’s women characters who display an astonishing range of physical defects. Whatever their station or narrative function, his description of them often contains elements of distortion, although this rarely has the effect of individualising them. It will be argued that the presence of such women characters in Gadda’s work has a precise function in his representation of the world. Description: Margaret Baker, Fosca, Giacinta Marulli, Elena Dorello, women characters, distortion, bizarre, grotesque, imagery, deformity, abnormality, Rabelais, Novella seconda, Notte di luna, Dirce, La sposa in campagna, Zamira, Quer pasticciaccio brutto de via Merulana, That Awful Mess, Accoppiamenti giudiziosi, La domenica, Batraci, Donna Giulia de' Marpioni, Prima divisione nella notte, L'Adalgisa, La cognizione del dolore, Gonzalo, Peppa, Acquainted with Grief, Il seccatore, Lombard, middle class, La Madonna dei filosofi, L'Editore chiede venia del recupero chiamando in causa l' Autore, Donna Carla, Gaetano Negri, Commissario Ingravallo, Signora Menegazzi, Maria Ripamonti, Racconto italiano di ignoto del novecento, stereotype, abstraction, plurality, universality, Le meraviglie d’Italia 1993-01-01T00:00:00Z http://hdl.handle.net/2328/547 Title: Journeys and Discovery in Seventeenth-Century Italian Prose Romances Authors: Baker, Margaret Anne Abstract: This paper has its starting point in the work on seventeenth-century Italian prose romances first published twenty years ago by Albert N. Mancini who identified, among other aspects of this genre, the centrality of court life in motivation action, providing a structural link for the development of plot, and establishing a typology for the protagonists. In the present discussion, examples will be given of thematic and expressive patterns taken from a number of seventeenth-century writers who draw on the heroic-gallant model. As well, it will be shown that the writers' focus on court life (or an extension of it) introduces, through the motif of travel, new possibilites for narrative development. 1991-01-01T00:00:00Z