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No 253 - August 2003 >

Please use this identifier to cite or link to this item: http://hdl.handle.net/2328/1168

Title: Gallery Notes.
Authors: Wallace-Crabbe, Chris
Keywords: Australian
Book Reviews
Publishing
Issue Date: Aug-2003
Publisher: Australian Book Review
Citation: Wallace-Crabbe, Chris 2003. Gallery Notes. 'Australian Book Review', No 253, August, 38-39.
Series/Report no.: No 253
Abstract: Art is a strange posing of discoveries, a display of what was no more than possible. For it is the task of the creative artist to come up with ideas which are ours, but which we haven't thought yet. In some cases, it is also the artist's role to slice Australia open and show it bizarrely different, quite new in its antiquity. Half a century ago, Sidney Nolan did just this with his desert paintings and those of drought animal carcasses. I recall seeing some of these at the Peter Bray Gallery in 1953 and being bewildered by their aridity: a cruel dryness which made the familiar Ned Kelly paintings seem quite pastoral. Nor could I get a grip on his 'Durack Range', which the NGV had bought three years earlier. Its lack of human signs affronted my responses. The furthest our littoral imaginations had gone toward what used to be called the 'Dead Heart' was then to be found in Russell Drysdale's inland New South Wales, Hans Heysen's Flinders Ranges, and Albert Namatjira's delicately picturesque MacDonnells. Nolan's own vision was vastly different: different and vast. It offered new meanings and posed big new questions.
URI: http://hdl.handle.net/2328/1168
ISSN: 0155-2864
Appears in Collections:No 253 - August 2003

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