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Please use this identifier to cite or link to this item: http://hdl.handle.net/2328/13959

Title: The Plainsman (1937): Cecil B Demille's Greatest Authenticity Lapse?
Authors: Kozlovic, Anton K
Issue Date: 2003
Citation: Kozlovic, A.K., 2003. The Plainsman (1937): Cecil B Demille's Greatest Authenticity Lapse?. Kinema: A Journal of History, Theory and Aesthestics of Film and Audiovisual Media, 19(Spring), 73-86.
URI: http://hdl.handle.net/2328/13959
ISSN: 1192-6252
Appears in Collections:1902 - Film, Television and Digital Media

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