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Proceedings of the 7th Biennial International Conference of Greek Studies, 2007 >
Please use this identifier to cite or link to this item:
http://hdl.handle.net/2328/8136
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| Title: | Ο μηχανισμός της εντύπωσης στο 'Άσμα Ασμάτων' του Νικολάου Επισκοποπούλου |
| Authors: | Pieri, Angela |
| Keywords: | Greek Research Greece Australia Angela Pieri |
| Issue Date: | 2009 |
| Publisher: | Flinders University Department of Languages - Modern Greek |
| Citation: | Pieri, Angela 2009. Ο μηχανισμός της εντύπωσης στο 'Άσμα Ασμάτων' του Νικολάου Επισκοποπούλου. In E. Close, G. Couvalis, G. Frazis, M. Palaktsoglou, and M. Tsianikas (eds.) "Greek Research in Australia: Proceedings of the Biennial International Conference of Greek Studies, Flinders University June 2007", Flinders University Department of Languages - Modern Greek: Adelaide, 797-812. |
| Abstract: | Please note: this article is in Greek. The mechanism of impression in Nikolaos Episkopopoulos’s “Asma Asmaton”: Representation, reality’s artistic transformation, present in literature and visual arts, is expressed in various ways; among others, by impression, the later defined as the object’s representation through the senses of the recipient. In this paper, we discuss the ways of presentation and activation of the mechanism of impression in Nikolaos Episkopopoulos’s (1874–1944) “Asma Asmaton”. Impression serves, firstly, author’s exclusive task to represent the “ideal–perfect” love and secondly the recipient’s engagement in terms of comprehension of the multi-level theme’s representation. The process towards achieving impression and reaching synaesthesia is inhibited by words that directly or indirectly refer to the human senses. |
| URI: | http://hdl.handle.net/2328/8136 |
| ISBN: | 9780725811341 |
| Appears in Collections: | Proceedings of the 7th Biennial International Conference of Greek Studies, 2007
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