Abstract:
Please note: this article is in Greek. The mechanism of impression in Nikolaos Episkopopoulos’s “Asma Asmaton”: Representation, reality’s artistic transformation, present in literature and visual arts, is expressed in various ways; among others, by impression, the later defined as the object’s representation through the senses of the recipient. In this paper, we discuss the ways of presentation and activation of the mechanism of impression in Nikolaos Episkopopoulos’s (1874–1944) “Asma Asmaton”. Impression serves, firstly, author’s exclusive task to represent the “ideal–perfect” love and secondly the recipient’s engagement in terms of comprehension of the multi-level theme’s representation. The process towards achieving impression and reaching synaesthesia is inhibited by words that directly or indirectly refer to the human senses.
