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dc.contributor.authorThomas, Daniel
dc.date.accessioned2006-08-22
dc.date.available2006-08-22
dc.date.issued2003-06
dc.identifier.citationThomas, Daniel 2003. The Wilder Shores. Review of "James Gleeson: Drawings for Paintings" by Hendrik Kolenberg and Anne Ryan. 'Australian Book Review', No 252, June/July, 50-51.en
dc.identifier.issn0155-2864
dc.identifier.urihttp://hdl.handle.net/2328/1127
dc.description.abstractSurrealism has a strong interest for a mass audience, and the deepest penetration into popular culture. When it was new, surrealism was quickly appropriated into commercial and advertising art. Today, commercial cinema is awash with some of surrealism's youthful political idealism, but more with its fantasies of shock-horror and sex. And James Gleeson is a star of Australian surrealism.en
dc.description.sponsorshipAustralia Council, La Trobe University, National Library of Australia, Holding Redlich, Arts Victoriaen
dc.format.extent308873 bytes
dc.format.mimetypeapplication/pdf
dc.language.isoen
dc.publisherAustralian Book Reviewen
dc.relation.ispartofseriesNo 252en
dc.subjectAustralianen
dc.subjectBook Reviewsen
dc.subjectPublishingen
dc.subject.otherAustralian Standard Research Classification > 420200 Literature Studies > 420202 Australia and New Zealanden
dc.titleThe Wilder Shores. "James Gleeson: Drawings for Paintings" by Hendrik Kolenberg and Anne Ryan. [review]en
dc.typeArticleen


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