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dc.contributor.authorDalton, Derek Anthony
dc.date.accessioned2010-07-27T06:58:11Z
dc.date.available2010-07-27T06:58:11Z
dc.date.issued2006en_US
dc.identifier.citationDalton, D.A., 2006. The haunting of gay subjectivity: the cases of Oscar Wilde and John Marsden. Law Text Culture, 10, 72-100.en
dc.identifier.issn1332-9060
dc.identifier.urihttp://hdl.handle.net/2328/13852
dc.identifier.urihttp://search.informit.com.au/documentSummary;dn=327101217650866;res=IELHSS
dc.description.abstractThe author seeks to address how notions of gay criminality are intricately connected in a nexus of history, cultural memory and the practices of naming and figuring, through which the past prevails to haunt the present. On the right hand side is an image of Oscar Wilde as he was sketched in court during his first (defamation) trial in London in 1895. On the left hand side is an image of a man named John Marsden — a photograph taken at the time of his 1999 defamation case in Sydney. His name does not accompany the image. Rather, by way of a substitute, the caption ‘The trial of an Australian Oscar Wilde’ dominates the cover. Both men are captured in profile; a perspective that Bertillon standardised as beneficial for archive purposes and one that is also used for ‘mugshots’. The juxtaposition of these two images invites judgment. The singularity of Wilde and his crimes is erased by the invocation of his name in relation to another man, John Marsden. The images perform an affiliation and confirmation.en
dc.titleThe haunting of gay subjectivity: the cases of Oscar Wilde and John Marsdenen
dc.typeArticleen
dc.identifier.rmid'2006002174
dc.subject.forgroup1602 Criminologyen
dc.subject.forgroup1801 Lawen
dc.rights.licenseIn Copyright


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