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dc.contributor.authorBramwell, Murray Ross
dc.date.accessioned2005-12-19T05:17:31Z
dc.date.available2005-12-19T05:17:31Z
dc.date.issued2004-09
dc.identifier.citationBramwell, Murray 2004. Offering Singular Perspectives. Review of "Laughing Wild" by Christopher Durang and "The Getaway Bus" by Ingle Knight. 'The Adelaide Review', September, no.253, 25.en
dc.identifier.issn0815-5992
dc.identifier.urihttp://hdl.handle.net/2328/219
dc.description.abstractAfter a late scratching from Series Three of Bakehouse Theatre’s "Festival of One", comes the welcome addition of "Laughing Wild", a thirty minute monologue from American writer Christopher Durang. Taking its title from Samuel Beckett - “Laughing wild amidst severest woe” - it features an unnamed young woman who is repeatedly colliding with the world. "The Getaway Bus", written and performed by Ingle Knight, is located in Perth - on the loop from Mirabooka to Mundaring Weir, to be precise. Thomas Carew is a gormless young Englishman fresh off the migrant boat and lost in Ockerland. A chance meeting on the bus with Moffy, a Welsh refugee with vaulting ambitions as an actress has Thomas drawn into an amateur theatrical presided over by Frank, a tyrant for Thespis and, of course, conman to boot.en
dc.format.extent368159 bytes
dc.format.mimetypeapplication/pdf
dc.language.isoen
dc.publisherAdelaide Reviewen
dc.subjectTheatre reviewen
dc.subjectBakehouse Theatreen
dc.subject.otherAustralian Standard Research Classification > 410102 Drama, Theatre and Performance Studiesen
dc.titleOffering Singular Perspectives. "Laughing Wild" by Christopher Durang and "The Getaway Bus" by Ingle Knight. Bakehouse Theatre [review]en
dc.typeArticleen
dc.typePreprinten


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