1901 - Art Theory and Criticism
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This collection contains Flinders' research in Art Theory and Criticism, as reported for ERA 2012.
Where copyright and other restrictions allow, full text content is available.
Recent Submissions
-
Pamela Kouwenhoven and Margaret Worth: Drop the Dust
(Flinders University Art Museum, 2010) -
PolesApart
(2009) -
ART WITHOUT BORDERS: Introducing the Indigenous Collection of Lauraine Diggins
(Deakin University Art Gallery, 2009) -
Catalogue essay
(Tandanya National Aboriginal Cultural Institute, 2009) -
Yvonne Koolmatrie: Eel Traps
(Anne and Gordon Samstage Museum of Art, 2009) -
VISIONS aborigenes (catalogue essay)
(Fondation Burkhardt-Felder, Arts et Culture, 2010) -
Treasures of the Spirit, Creative Returns: Investing in Aboriginal Art
(Tandanya Cultural Institute, 2007) -
Conceptualisations of Self in Contemporary Interactive Artwork: A Case Study of Lynette Wallworth's Duality of Light
(IEEE Computer Society Conference Publishing Services (CPS), 2010) -
Tjungu Palya: Artists Sans Frontieres
(Chiaroscuro Gallery/Vivien Anderson Gallery, 2010) -
'Seeing Mardayin': instability and ambiguity in the art of John Mawurndjul, Kuninjku, Arnhem Land, Northern Australia
(IEEE Computer Society, 2009) -
Embodying Affect: The Stolen Generations, the History Wars and PolesApart by Indigenous New Media Artist r e a
(IEEE Computer Society Conference Publishing Services (CPS), 2010) -
Colour and pictorial representation
(2005) -
El arte Indigena de Australia y de las Islas del Pacifico
(Lunwerg Editores y Jaca Books SpA, 2006)