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dc.contributor.authorBramwell, Murray Ross
dc.date.accessioned2005-12-21T23:01:13Z
dc.date.available2005-12-21T23:01:13Z
dc.date.issued2002-04
dc.identifier.citationBramwell, Murray 2002. A Fringe Wrap. Review of the "Adelaide Fringe Festival". 'The Adelaide Review', no.223, April, 13-14.en
dc.identifier.issn0815-5992
dc.identifier.urihttp://hdl.handle.net/2328/282
dc.description.abstractThings were always going to go well for the Fringe this year. Everything, from the logo launch of that underdog-looking little bambi to the setting up of its ambitious on-line ticketing, had an assurance and energy about it. This not only came from director Katrina Sedgwick, CEO Jodie Glass and an army of workers and volunteers but was evident in the vibrant response from an Adelaide crowd looking for something more edifying, and certainly more entertaining, than the previous six months of divisive politics, and national and international trauma. People were ready to have fun and grab the last of the summer we almost didn’t have. And the venues worked better this year. The use of the Adelaide Uni Union and Cloisters area created a central and coherent group of performance spaces which included Union Hall and the Scott Theatre, and existing catering facilities were handy as well. Then, the carnival atmosphere at Rundle Park, with the circus adrenaline of the Lunar Tent and the Edwardian charm of the Spiegeltent, made the whole of the East End again the buzzy place to be.en
dc.format.extent136768 bytes
dc.format.mimetypeapplication/pdf
dc.language.isoen
dc.publisherAdelaide Reviewen
dc.subjectFestivalsen
dc.subjectFestival Reviewsen
dc.subjectPerforming Artsen
dc.subject.otherAustralian Standard Research Classification > 410100 Performing Artsen
dc.titleA Fringe Wrap. "Adelaide Fringe Festival". [review]en
dc.typeArticleen
dc.typePreprinten


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