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dc.contributor.authorArur, Sidharth
dc.contributor.authorWyeld, Theodor
dc.date.accessioned2016-05-12T04:25:29Z
dc.date.available2016-05-12T04:25:29Z
dc.date.issued2016-05-12
dc.identifier.urihttp://hdl.handle.net/2328/36103
dc.descriptionThis is the full paper of the short paper accepted for the iV2016 - 20th International Conference, Information Visualisation on 19 - 22 July 2016 at Universidade NOVA de Lisboa, in Lisbon, Portugal.en
dc.description.abstractPrior to the Muslim invasions of the 14th century, the Gond people were a culturally significant tribe in central India. Today, their art and culture is being rediscovered by a local and international audience. This is due mainly to the events of exhibitions by the Gond artist Jangarh Singh Shyam's work in Paris and Japan, in 1988. Since then, other Gond artists have also had their work exhibited internationally. Despite this renewed interest in Gond art, little has been written about their work. While much is known about the people and their customs, little is known about their artworks and what motivates their style of art and the depiction of particular elements in their works. This paper begins to address this apparent gap in the literature by reviewing a recent contemporary art exhibition of Gond art at the Art Gallery of South Australia.en
dc.language.isoen
dc.rightsCopyright 2016 The Authorsen
dc.titleExploring the Central India Art of the Gond People: contemporary materials and cultural significanceen
dc.typeWorking Paperen
dc.rights.holderThe Authorsen
dc.rights.licenseIn Copyright


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