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dc.contributor.authorChristopher Ringrose
dc.contributor.authorVernay, Jean-Francois
dc.date.accessioned2016-07-26T04:11:18Z
dc.date.available2016-07-26T04:11:18Z
dc.date.issued2016-07-26
dc.identifier.issn2203-4293
dc.identifier.urihttp://hdl.handle.net/2328/36284
dc.description.abstractThe second edition of Jean-François Vernay’s book A Brief Take on the Australian Novel (Adelaide: Wakefield Press) was released in 2016. This incisive history of Australian fiction is remarkable for a relatively young scholar, both for its ambitious scope and its innovative approach, employing structural techniques derived from the world and language of cinema. It is designed to appeal to the general reader seeking to test their views against Vernay’s, to those new to the area of Australian fiction who might use it as a guide to their reading, and to those engaged in academic study. As has often been noted, Jean-François Vernay’s French-Australian parentage and background give him an unusual and distinctive perspective on Australian writing. Jean-François is also the author of Water from the Moon: Illusion and Reality in the Works of Christopher Koch (New York: Cambria Press, 2007), as well as numerous other critical studies. His book The Seduction of Fiction: A Plea for Putting Emotions Back into Literary Interpretation will be released in August 2016 as part of Palgrave Macmillan’s series Studies in Affect Theory and Literary Criticism. He is also a creative writer in his own right, notably of Un doux petit rêveur (2012).en
dc.language.isoen
dc.subjectA Brief Take on the Australian Novelen
dc.subjectAustralian fictionen
dc.subjectJean-François Vernayen
dc.subjectLiterary criticismen
dc.subjectinterviewsen
dc.titleAn Interview with Jean-François Vernayen
dc.typeArticleen


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