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dc.contributor.authorTsianikas, Michael
dc.date.accessioned2017-08-07T02:16:14Z
dc.date.available2017-08-07T02:16:14Z
dc.date.issued2017
dc.identifier.citationΤσιανίκας, M. (2017). Καβάφης: Εντάσεις δια-φθοράς. Journal of Modern Greek Studies (Australia and New Zealand) — Special Issue, 290–306.en
dc.identifier.isbn978-0-646-97231-2
dc.identifier.issn1039-2831
dc.identifier.urihttp://hdl.handle.net/2328/37405
dc.descriptionAll rights reserved © 2017, Modern Greek Studies Association of Australia and New Zealand. Reproduced with permission of the publisher.en
dc.description.abstractPlease note: This article is in Greek. Kavafis: The tensions of “corruption”: In Kavafi’s poetry, there are many poems where historical or anonymous characters are corrupted or are going through the process of corrupting themselves or others. This becomes particularly important regarding most of his poems dealing with painting. The frequency of references to corruption raises many questions: aesthetic, historical, psychological, philosophical etc. Most importantly: in the process of composing a poem, how is the poetic language corrupting the poet and how does language corrupt itself? Within the overarching theme of “corruption”, another important issue is discussed: the decay of human body (including death) and the spectacular and mysterious decadence of the ancient Greek world (In Greek corruption is diafthora and decay pthora). But above everything else, this paper is trying to respond to a “provocative” assessment by Kavafis: “I am not sure if perversion empowers someone. Sometimes I think so. But it is certain that corruption is the source of greatness”.en
dc.language.isogre
dc.publisherModern Greek Studies Association of Australia and New Zealanden
dc.rights© 2017, Modern Greek Studies Association of Australia and New Zealand.en
dc.subjectGreek poetryen
dc.subjectKavafisen
dc.subjectcorruptionen
dc.titleΚαβάφης: Εντάσεις δια-φθοράςen
dc.typeArticleen
dc.rights.holderModern Greek Studies Association of Australia and New Zealand.en


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