Now showing items 1-6 of 6
R.A.K. Mason: The Poet as a Pacific Christ
(Centre for Research in the New Literatures in English, Flinders University, 1981)
The vast majority of Mason's poems derive their individual character not only from his use of language, but also, and above all, from his perceiving of himself as a Christ in New Zealand, ignored and victimised by a society ...
Violence in the stories of Frank Sargeson
(Massey University, New Zealand, 1986)
'The stories of Frank Sargeson' contains the bulk of the short fiction produced by New Zealand's foremost writer. Despite Sargeson's fame, it seems that his stories, particularly those portraying violence, are generally ...
Lack of Potency
(Centre for Research in the New Literatures in English, Flinders University, 1984)
The author discusses a collection of New Zealand short stories, and concludes his discussion by saying "that the quality of literature depends, not on time or place, but on the calibre of the author's ability to grasp ...
"The Hole..." as Romantic. No. 1 of "Three readings of Sargeson's 'The Hole That Jack Dug'"
(The South Pacific Association for Commonwealth Literature and Language Studies, 1986)
The author suggests that one reason for accepting Frank Sargeson's stories as realistic is that there have been no close analyses of any of them. In discussing "The hole that Jack dug" the author aims to show that such a ...
Ambiguity and Ambivalence in R.A.K. Mason
The author examines one of R.A.K. Mason's best known poems, Ecce Homunculus, with concern for some of the poem's ambiguities and the possibility that they reveal ambivalence, or at least a richness of meaning, rather than ...
Irony in R.A.K. Mason's Poetry
(Taylor & Francis, 1982)
Previously, the author has presented R.A.K. Mason as essentially a sensitive modern romantic at odds with the New Zealand where he spent his life from 1905-1971, and with, in a larger sense, not only man but also the ...